It is more of a brilliant flourish than a melodically developed cadenza as found in other repertoire. It is short and has little thematic material from the composition. The cadenza in the second movement of the Joseph Riepel D major concerto is one of the very few written out by the composer of a trumpet work of this period. Civiletti plays this repertoire with a great deal of style and sensitivity and the Belgian Baroque Soloists matched him in this regard. However, these pieces are not played like a lead jazz trumpeter. His fantastic ability to control the very extreme high tessitura on the trumpet serves him well with this repertoire. Civiletti started his trumpet career as a lead jazz and commercial player and went on to help develop the “Tongue-Controlled Embouchure (TCE)” technique with the well-known “chop doc” Jerome Callet. this is the first time anyone has recorded these demanding pieces on baroque trumpet is no surprise and certainly puts Bob Civiletti in a very special category. The Richter concerto ascends to high concert G. Ed Tarr, in his thoughtful CD program notes states that the Michael Haydn D-major trumpet concerto has the distinction of presenting the “world record” height of sounding A above high C, in bar 41 of the first movement. All are unbelievably virtuosic and demanding. In some sense these works are like the famous Haydn Trumpet Concerto but on steroids. 2 in D by Georg von Reutter II (1708-1772), Trumpet Concerto in D by Franz Xaver Richter (1709-1789), and the Trumpet Concerto No. The works in question are Trumpet Concerto in D by Joseph Riepel (1709-1782), Trumpet Concerto in Eb by Franz Querfurth (fl. All six compositions on this recording are listed as “world premiere recordings on Baroque trumpet” and an examination of Lowry’s International Trumpet Discography bears out this claim. “Bahb” Civiletti is nothing short of remarkable. Producer and program annotator Edward H.Tarr, Recording engineer Paul Pasquier,Įditing Paul Pasquier, Niranja Wijewickrema. Niranja Wijewickrema, Conductor Marie Haag, Catherine Meeus, baroque violins Rainer Ardt, baroque viola Eve Francois, baroque cello Benoit Vanden Bemden, baroque bass viol Sopie van Heerle, harpsichord Stefanie Troffaes, Wim Vandenbossche, transverse flutes Mark De Merlier, Frank Clarysse, natural horns Alain De Rijckere, baroque bassoon. World Premiere Recording on Baroque Trumpet.
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